Some 50 years ago, the region near Nigeria’s Atlantic coast provided the setting for Chinua Achebe’s haunting novel of a world torn asunder by the vicissitudes of Anglo-imperial expansion. To capture the tragedy of colonialism in that account, “Things Fall Apart,” Achebe looked to Yeats’s poem “The Second Coming” for inspiration: “Things fall apart; the center cannot hold; / Mere anarchy is loosed upon the world, / The blood-dimmed tide is loosed, and everywhere / The ceremony of innocence is drowned; / The best lack all conviction, while the worst / Are full of passionate intensity. Chris Cleave, a columnist for The Guardian, puts a modern-day spin on Achebe’s concerns with his immensely readable and moving novel. While the pretext of “Little Bee” initially seems contrived — two strangers, a British woman and a Nigerian girl, meet on a lonely African beach and become inextricably bound through the horror imprinted on their encounter — its impact is hardly shallow. Rather than focusing on postcolonial guilt or African angst, Cleave uses his emotionally charged narrative to challenge his readers’ conceptions of civility, of ethical choice. Sarah O’Rourke might appear to be an insipid character, with her career at a British magazine, her Batman-costumed young son, her uninspiring lover and her gentrified Surrey lifestyle. When juxtaposed with the Nigerian refugee called Little Bee — whom we first meet behind the razor wire of a British immigration center — Sarah is unsympathetic, even tiresome. But that impression changes partway through the novel when a flashback to Africa reveals her fortitude. London, with its dizzying abundance and multiculturalism, looks like a parallel universe when compared with the impoverished Nigerian village where Little Bee grew up. Yet it’s this same village that instilled in Little Bee the skills and values needed to help her navigate toward her own scarred survival. Like Little Bee, Sarah is a survivor. But the lessons of the past are not enough to steer either woman to safety. Instead, in a world full of turpitude and injustice, it is their bold, impulsive choices that challenge the inevitability of despair, transforming a political novel into an affecting story of human triumph.
Saturday, May 29, 2010
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see Exit Wounds by Czroline Elkins, New York Times Book Review, May 15, 2009
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